Practice Good Theory

A couple of years ago, I was in a small mid-western resort town on July 4th and thousands of tourists (mostly from elsewhere in the state) had turned out to see the fireworks. Trucks streamed in from all the nearby little towns and farms. The atmosphere was festive. There was benevolence all around. The red-white-and blue was respected, not as a symbol of something above us on an altar, but as a symbol of who we are. Not on a pedestal to be saluted -- though that too -- but, in casual clothing, in funny head-dress, in flashing lights to be worn for the evening. All around was a feeling of family and of sharing a value. Very few cops in sight, and yet the thousands self-organizing in very orderly ways. If you asked those people, in that moment, if freedom was their top value, if the individual is important, if we should recognize the individual's right to his own life and happiness...you'd probably find lots of agreement. It's all good, but it is mostly emotional. As yo

John Masters's novels aren't for everyone, but I enjoy them immensely. Masters tells a good story, and tells it well. His heroes are far from perfect; they are works-in-progress, who develop through the book, occasionally tempted by Dostoyevsky-like inner dialogs. Sometimes, they weaken and succumb to temptation. The books are mostly adventures without deep themes. Indeed, the rare times that Masters tries to step back and find a broader moral theme, he is unconvincing: the narrative does not support his commentary. The books are all based in India, and the protagonists are British. Each book is set at a different time, across the few hundred of years that the British traded with and ruled India. Two of the books are set during very significant events in British-India: the 1857 mutiny (Nightrunners of Bengal) and 1947's independence (Bhowani Junction). The historical interest made me curious, but I stayed for the story, and bought the other books. Two of the boo